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A remake of the 1955 comedy, the story revolves around a Southern professor who puts together a group of thieves to rob a casino. They rent a room in an old woman's house, but soon she discovers the plot and they must kill her, a task that is more difficult than it seems.

Some Eastern thugs chase the Beatles around the world in a zany ride of cat and mouse in order to get their hands on a special "sacrificial" ring that Ringo is innocently wearing.

The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.

Follows a hotshot German photographer from Berlin who comes to Palermo because he needs to make a clean break from his past. In the city he meets a young woman and a completely different way of life...

On the other hand, Raam falls into a state of shock, brief psychotic disorder, after his mother’s death and becomes silent, refusing to talk or react in any manner. The story unfolds as the investigating officer, Indrajeet Singh Rathi, much to his frustration is puzzled and unable to make Raam speak. He consults a Psychiatrist, Dr. Ns. Negi to determine the cause of Raam’s state of mind and the reason for his silence

The story begins in Egypt, where Master Shake, Frylock and Meatwad are being attacked by an oversize poodle, who kills Frylock before being destroyed by Shake. Shake and Meatwad drive off with Frylock's corpse, and meet Time Lincoln, who plans to revive Frylock; however, when the CIA break into his house, the Aqua Teens flee in his wooden rocket ship, and Time Lincoln is shot. This, however, is all revealed to be an elaborate story concocted by Shake to explain the ATHF's origin to Meatwad. Shake then explains to Meatwad that women are only attracted to great bodies, then heads off to work out on his new exercise machine, the Insane-O-Flex. Together, they go in search of a missing piece of an exercise machine that happens to be more than an exercise machine, placing them on a collision course with the likes of Oglethorpe and Emory, a pair of jagged, ridiculous creatures from the future who travel with a robot companion claiming to be the Ghost of Christmas Past. They also encounter Dr. Weird, a mad and evil scientist given to disguises and who seeks revenge against the Hunger Force; McPee Pants, a rapping spider who wears a shower cap and diaper; and the hilarious Ignignokt and Err, two-dimensional villains from the ancient days of Pokey, Atari video games.

Drugs. They consume mind, body and soul. Once you're hooked, you're hooked. Four lives. Four addicts. Four failures. Doing their best to succeed in the world, but failing miserably, four people get hooked on various drugs. Despite their aspirations of greatness, they succumb to their addictions. Watching the addicts spiral out of control, we bear witness to the dirtiest, ugliest portions of the underworld addicts reside in. It is shocking and eye-opening but demands to be seen by both addicts and non-addicts alike.

Lester and Carolyn Burnham are on the outside, a perfect husband and wife, in a perfect house, in a perfect neighborhood. But inside, Lester is slipping deeper and deeper into a hopeless depression. He finally snaps when he becomes infatuated with one of his daughter's friends. Meanwhile, his daughter Jane is developing a happy friendship with a shy boy-next-door named Ricky, who lives with a homophobic father.

"A Hard Day's Night" captured Beatlemania as it was happening, and more than four decades later, it remains a peerlessly zesty rock 'n' roll fable. Director Richard Lester's jump cuts now seem exhilarating as Jean-Luc Godard's, John Lennon's wisecracks as well timed as Groucho Marx's. Yet this original Fab Four movie is innocent in a way no other later rock 'n' roll film could be, and much of the credit must go to the thousands of screaming teenage girls in the audience--the ones who's lips form such magical words as "John!" and "Paul!" and "George!" and "Ringo!" while tears stream down their cheeks. When John Lennon and Paul McCartney shake their mop tops in unison after the line "She loves you, and you know you should be glad!" it sends the audience into hyperspace. Watching The Beatles getting their first taste of audience frenzy, you understand why the '60s had to happen.