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In turn of the century Sweden, cancer stricken & dying, Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface. (aka Viskningar Och Rop)

Social realism regarding struggles of reservation-dwelling Native Americans in the North Central states of the US. Main character is an introspective and lovable person in a process of seeking pride and identity through tradtional and mystical means of gathering power. His high school friend, who is a Vietnam War Veteran, is exerting power as a highly principled social activist, using a modern rational materialist adversarial model of progress.

Circus is an appropriate title for this busy British three-ring caper film. There are plots aplenty here! A frumpy accountant Julius hires Leo to murder his wife but then videotapes the deed for collateral in a blackmail scheme. Upwardly mobile thug Bruno pressures Leo to run his casino while plotting his demise. Sexy Lily puts on her slinky best femme fatale pose as Leo's girlfriend with a questionable past, playing the players against one another. That past catches up with her when Elmo, an old partner in crime she abandoned holding the bag years back, arrives for payback. Almost too clever for its own good, Circus is an ingeniously engineered mercenary free-for-all thick with secret alliances, double-crosses, hidden identities, and a plot that twists into a new direction every five minutes.

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalized children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he's only dealing with the tip of the iceberg.

Mario Van Peebles's half documentary/half homage to his father Melvin's 1971 film, Sweet Sweetback's Baadasssss Song. AKA How To Get The Man's Foot Outta Your Ass

This movie features the collaborative directorial efforts of four new filmmakers, each of whom directs a segment of this comedy. The city is Los Angeles. The date is New Year's Eve. And the place is the Mon Signor Hotel, a once-grand, now faded old landmark where a dozen of the most unusual guests ever are about to check in... and a lone bellhop named Ted, on his first day on the job, is in for the wildest night of his life! In no time, poor unsuspecting Ted is caught in a madcap maze of action and excitement, careening from a coven of witches in need of a missing ingredient... to a married couple with psychosex on their minds and firearms at the ready... to a gangster dad looking for a sucker to babysit his rambunctious kids... to the strangest bet ever made with a cleaver and a bucket of ice.

When Manny Singer's wife dies, his young daughter Molly becomes mute and withdrawn. To help cope with looking after Molly, he hires sassy housekeeper Corrina Washington, who coaxes Molly out of her shell and shows father and daughter a whole new way of life. Manny and Corrina's friendship delights Molly and enrages the other townspeople.

The idyllic lives of yuppie couple Phil and Kate seem complete when they select the winsome young Camilla as a live-in nanny for their newborn child, but the lovely young Camilla, whose natural sexuality begins to work its spell on Phil is not what she appears to be. This becomes shockingly apparent to the audience early in the story when she is set upon by a trio of rape minded thugs who meet with a particularly nasty fate in the woods, but it seems to take the parents much longer to come to the same conclusion. In fact, the woods are the key to the entire equation, as Camilla is revealed to be a powerful forest entity from Druid mythology who intends to sacrifice her infant charge to a hideous tree-god.

When Elvis-like rock & roll star Conrad Birdie is drafted into the military, the teen nation is united by a contest in which the winner bestows a farewell kiss upon their idol while on the Ed Sullivan Show. Ann-Margret (in her film debut) is the lucky little lady from Sweet Apple, Ohio, who wins the contest, much to the chagrin of her steady beau (Bobby Rydell) and miserable parents (Paul Lynde and Mary LaRoche). Dick Van Dyke and Janet Leigh are an older couple kept from marrying by his meddlesome mother, played to the hilt by Maureen Stapleton. Lightweight but fun, this features an exuberant soundtrack with such memorable ditties as "Put on a Happy Face" and "Kids" and the title track.